Yay! Pictures!
May 18th, 2012Oh ~ I’ve been having so many words.
I prefer to see Pictures as soon as I open this website.
So here are a few pictures from a recent 1-year-old’s Party:
To Hire this Artist:
(516) 579-4706
optidust@gmail.com
by Alison Gelbman
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Yay! Pictures!May 18th, 2012Oh ~ I’ve been having so many words. To Hire this Artist: and one more thingMay 16th, 2012I forgot to mention one more Complication. It’s when people ask me to predraw scenes. Most people are happy with slim or cute or muscular Bodies, so I only have to draw one per gender and age. But still, the predrawn scene should take into account the age of the guest ~ 5-year-old girls don’t have bodies like 15-year-old girls. And 15-year-old girls don’t dress like 50-year-old women. And there are just as many variations for boys. A cute little 5-year-old boy doesn’t look right with the body of a 15-year-old boy. But if my client gives me a chance to point this out, it’s still complicated. Because I might get hired to print up ten papers each for several different scenes. This means I will be spending time interrupting the drawing-Entertainment to look through for the right paper. And if mats are also involved….. Oh. What works best for most Parties is Direct Caricatures. To Hire this Artist: ComplicatingMay 16th, 2012People don’t realize what they’re asking me to do. I always willing to preprint a logo onto each paper ~ so the guests will remember where/why they got the picture, so the guests will remember the event. But if I show up with creatively prepared logos, the writing and the symbols get mixed up into the pictures that I am to subsequently draw. (I’m thinking that I might start Boxing in those logos when appropriate. So they’d be more like part of the Frame than part of the Picture.) I’m always willing to predraw a scene if my client requests it, but that means that I can’t be as creative with the composition ~ particularly affecting the picture when the guest requests more than one person to be included in the same picture. And that brings to mind that I’m always willing to draw more than one person in a picture, but that means that each person would have to be with me for a longer time. Because I have to compare back and forth between each person, and I have to coordinate them all together at the end of the drawing. And of course (and this is something that always amazes me ~ Some people actually think it would be faster if I draw more than one person on a page), it takes more than twice as long to draw two people on the same page (and more than three times as long to draw three people on the same page, etc). Because I still have to draw each face, the same as if I was drawing it on separate papers, And I have to design the page to accommodate the way those particular faces fit together. (I don’t just divide the page into smaller parts and draw smaller individual pictures. This is Real Art.) I understand why people want these things, but especially with body/hobby, I think they’re imagining large compositions in which I interview the whole life of a person and design it All into the picture, good likeness, funny twist, and more all in five minutes before I go on to the next. This is not realistic for a Party where I’m usually asked to draw as many people as possible. I’ve drawn at Thousands of Parties. Countless Communions. Yearly Graduations. More Bar Mitzvahs than I can imagine…… I have a pretty good handle on what works best. On how to draw at a Party. But I understand why people choose otherwise. These pictures, for example, were ordered for the express purpose of furthering Marc Jacobs clothing. For bringing people into the store. For encouraging them to buy one of his latest dress designs. So I was hired to come with a ready-made body. Okay. But then, the store customers, seeing that they could get free Caricatures, wanted pictures of themselves with their friends and families. To remember the fun outing when they shopped together. For example, one of these pictures is of a bride’s-maid-to-be who was taking her bride out shopping before the wedding. Of course they’d want to be in the picture together. But did they realize that my client (who was paying for these pictures), had hired me to come with that ready-made scene. Of one woman walking down the runway. Smack in the center of the picture. So how am I to design two or more people onto that page? Here are some Samples that I drew at the recent Marc Jacobs event. Decide for yourself. Which ’specials’ do you think were a good idea here. Which ’specials’ were not a good idea. To Hire this Artist: I work for the client. I work for the guests. I wish they would trust me to do what I think feels best. Oh. Oh. And this reminds me of the guests who say things like “Don’t draw my nose.” Or “don’t draw my teeth.” But if I listen to that, it wouldn’t be looking like the person. Oh. I hope my pictures help people to like and accept themselves As They Are. I love you all. Note: When full Party is ordered All on One Giant Page, each guest comes individually, just like when I’m drawing one-person on a page. And I don’t need them All together until the End of the Picture when I coordinate it all together. The Artwork is approached differently than when I’m asked to draw a small group on the regular-sized papers. Another Year ~ Another PromApril 30th, 2012Proms are coming up ~ Another year ~ High School Graduates ~ again ~ Why sing when there have already been great singers in the past? “Unwritten” by Natasha Bedingfield: I am unwritten, can’t read my mind, I’m undefined I’m just beginning, the pen’s in my hand, ending unplanned Staring at the blank page before you Open up the dirty window Let the sun illuminate the words that you could not find Reaching for something in the distance So close you can almost taste it Release your inhibitions Feel the rain on your skin No one else can feel it for you Only you can let it in No one else, no one else Can speak the words on your lips Drench yourself in words unspoken Live your life with arms wide open Today is where your book begins The rest is still unwritten Oh, oh, oh I break tradition, sometimes my tries, are outside the lines We’ve been conditioned to not make mistakes, but I can’t live that way Staring at the blank page before you Open up the dirty window Let the sun illuminate the words that you could not find Reaching for something in the distance So close you can almost taste it Release your inhibitions Feel the rain on your skin No one else can feel it for you Only you can let it in No one else, no one else Can speak the words on your lips Drench yourself in words unspoken Live your life with arms wide open Today is where your book begins Feel the rain on your skin No one else can feel it for you Only you can let it in No one else, no one else Can speak the words on your lips Drench yourself in words unspoken Live your life with arms wide open Today is where your book begins The rest is still unwritten Staring at the blank page before you Open up the dirty window Let the sun illuminate the words that you could not find Reaching for something in the distance So close you can almost taste it Release your inhibitions Feel the rain on your skin No one else can feel it for you Only you can let it in No one else, no one else Can speak the words on your lips Drench yourself in words unspoken Live your life with arms wide open Today is where your book begins Feel the rain on your skin No one else can feel it for you Only you can let it in No one else, no one else Can speak the words on your lips Drench yourself in words unspoken Live your life with arms wide open Today is where your book begins The rest is still unwritten The rest is still unwritten The rest is still unwritten Oh, yeah, yeah BTW, this is an example of what I call “Black and White Caricatures” or “Line Only Caricatures”. To Hire this Artist: Dolls in Living ColorApril 15th, 2012 |